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CONCORDIA
Concordia plays the magical English
music of the golden age and a wide range of renaissance
and baroque repertoire from Italy, Spain, Germany and
France. Concordia often works with guest artists
on other instruments and, above all, the human voice,
regular collaborators including the countertenors Robin
Blaze and James Bowman, and the soprano Rachel Elliott.
Perhaps because of the breadth and appeal of its
stimulating programming, which also includes new commissions,
contemporary dance and poetry, Concordia is now one
of the most active British chamber groups, appearing
at the Wigmore Hall, festivals throughout the country
and major venues across Europe.
The regular members of Concordia
are Mark Levy, Joanna Levine, Emilia Benjamin, Daniel
Yeadon, Reiko Ichise, Alison McGillivray and Markus
Tapio viols, Elizabeth Kenny lute and Gary Cooper organ
& harpsichord.
Mark Levy founded Concordia in
1992 to explore music involving viols of all shapes
and sizes. The ensemble has gone on to appear regularly
at the major British music festivals and throughout
Europe, as well as as at the Wigmore Hall, the Purcell
Room and the Queen Elizabeth Hall, where they played
in the first Royal Festival Hall Early Music Festival.
Acclaimed in the British and European press for its
concerts, radio and CD recordings, Concordia has gained
a special reputation for its imaginatively themed programmes,
often exploring links with the other arts. Concordia's
innovative programming has led to performances combining
music with newly-commissioned dance, poetry and drama:
most recently a set of monologues for Elizabeth I premiered
by the well-known actress Penelope Keith at the Covent
Garden Festival and now on tour supported by Concordia's
fourth major award from the Arts Council of England.
Other collaborations have included work with Will Kemp
of the Adventures in Motion Pictures dance company and
the poet Glyn Maxwell, and future plans include a performance
with Vanessa Redgrave at the Globe Theatre, while several
recent concert appearances, radio broadcasts and recordings
have been linked to major exhibitions at the Royal Academy
of Arts and the National Gallery.
Recent appearances have included
a return visit to the Bruges Festival, tours of Spain,
Germany and Scotland, and concerts in the Spitalfields,
Greenwich and Covent Garden Festivals, as well as numerous
concerts for the BBC, German and Belgian Radio. Concordia's
recent CD releases of music by Orlando Gibbons have
been showered with awards including a Diapason d'Or,
Choc de Musique and 10 de Répertoire in France,
an award from Fonoforum in Germany, an Outstanding rating
from BBC Music Magazine and an Editor's Choice in Gramophone.
The latest release is of music by the brilliant maverick
English composer William Lawes, whose 400th anniversary
falls in 2002. Concordia have just given two recitals
in the Wigmore Hall's Lawes anniversary series to great
critical acclaim, and toured a Lawes programme on the
Dutch Early Music Network, and they will shortly appear
in two BBC TV programmes on Lawes. Other ongoing projects
include a set of new commissions for viols, including
pieces by John Tavener and Gavin Bryars.
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